Gabrielle Guy

Gabrielle Guy is a lighting designer, stage manager and extremely curious scenographer, whose greatest pleasure is to participate in the creation of stories whatever their form.

He enjoys technical constraints, the emergence of what makes us feel good, and the joy of creation. Their career is multifaceted, and he loves new paths. He is convinced that the stories we tell ourselves transform us more than we initially thought.

He works as a set designer and stage manager for various theatre companies since 2013. For Corridor (2013, 2014, 2020), Arsenic2 (2017-19), Ateliers de la Colline (2020, 2022, 2024), Zet (2022-24), and the Festival Voix De Femmes (2021, 2023, 2025).

In 2019, he joined the Discours-NationS theatre project led by Lorie Joy Ramanaïdou and Khadim Fall, for which he worked as a set designer, lighting designer, and stage manager.

In 2022/23, he discovered the world of aerial dance and magie nouvelle (new magic) as a lighting designer and general manager on the Mérydes project by the Le Brasier company, led by Léa-Rive Vayrou.

In 2022, he joined the world of action theater, much to their delight, via Lara Persain, the Espèces de... company and the creation of Des Roses et du pain / Bread and Roses, for which he created the lighting. In 2024/25, he joined Ligne(s) de Fuite / Vanishing Line(s), the company’s new creation, as an author, technical designer and scenographer.

From 2023 to 2025, he was the lighting designer director of Bételgeuse, a theatre show directed by Marthe Degaille, as well as Boîte Chânienne, a puppet show for all audiences, produced by the Corneille Bleue company.

In 2025, he joined slam poet Mel Moya on her first show Auguri, c'est une fille! / Auguri, it’s a girl! as video designer, as well as Gaëtan Arhuero on his magical sound project and youth theatre Un bruit qui court / A Rumour Runs, as lighting designer.